I once knew a blacksmith named Tod
Who gradually grew very odd.
One day in his house
I discovered a mouse
All of whose feet had been shod.
I was born in London. My father was the writer John Davenport, who is best remembered as a literary critic writing for the Observer newspaper. After attending a great number of schools, including Blackfriars Dominican School, Laxton, I studied at LAMDA.
Limerick by RD
Find “Ortho’s Brood” online and you will see that some cretin has given the entire plot away in the description of the book. I myself suggested a kind of ‘B’ movie look for the cover -
My acting career included several tours, and stints in repertory companies such as Leicester, Derby and Nottingham. On the West End stage I was King Nicholas in “The Sleeping Prince” (St Martins); Siro in the musical “Mandrake” (Criterion); and Cyprian Phipps in “Bloomsbury” (Phoenix). There were appearances at Greenwich, Wimbledon and The Hampstead Theatre Club, and I worked on multiple occasions at the Bristol Old Vic. On television I played Martin Bagley in “Brassneck”, the satirical drama by David Hare and Howard Brenton.
All in all, on stage I played well over fifty parts in well over fifty purpose-
On quitting acting (thought in the last years I’ve been doing a bit here and there) I worked for two years as an executive in Lintas, the Unilever advertising agency, and did not set up as a writer until I’d left behind another career -
My favourite West End theatre is the Apollo, where my grandmother, Muriel George, starred in Harry Pelissier’s “Follies” at the start of the 20th Century.
It is in fact not a very practical theatre for modern use, and in December 2013 a collapse of plasterwork injured many. As a fan of the place, I felt somehow slightly responsible.
It was BBC Radio that gave me my first break as a writer and I remain extremely fond of that medium.
The late great Richard Griffiths stars in these adaptations (above). His Mr Mulliner is light and elegant and there are many other wonderful performances.
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